First the photo of the "Briskett" wig I promised in last week's blog.
Geoff Dallimore as Mrs Briskett and Joe Morbey as Kate (photo Kate Eke) |
Many of the sound effects are produced by the actors on stage including the classic coconut shells for horses' hooves. Most impressive is the use of cabasas to make train sounds, although Stuart does augment it with recorded sound especially when the train has to screech loudly to a halt.
Stuart has used additional microphones for this production. There are two at the back of the stage which are mostly so that the cast can hear themselves when they are singing. There are also microphones around the auditorium to give a surround sound effect. Look out for those wolves coming up behind you!
Keeping track of all the sound effects and music cues needs some organisation. Stuart has a thick file with detailed notes of when he needs to play what sounds.
The Wolves of Willoughby Chase runs from 16th to 25th January including matinees on both Saturdays.
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The Wolves of Willoughby Chase, by Joan Aiken, adapted by Russ Tunney Thursday 16th January - Saturday 25th January 2014
Auditions for Lady Windermere’s Fan by Oscar Wilde Sunday 26th January at 2.30pm or Tuesday 28th January 2014 at 7.30pm
Bold Girls by Rona Munro Monday 17th February – Saturday 22nd February 2014
Trainspotting by Harry Gibson, adapted from the book by Irvine Welsh Monday 17th – Saturday 22nd March 2014
Details of all our productions and auditions can be found on our website.Auditions for Lady Windermere’s Fan by Oscar Wilde Sunday 26th January at 2.30pm or Tuesday 28th January 2014 at 7.30pm
Bold Girls by Rona Munro Monday 17th February – Saturday 22nd February 2014
Trainspotting by Harry Gibson, adapted from the book by Irvine Welsh Monday 17th – Saturday 22nd March 2014
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